In one interview, he said "When people ask me, 'Who is your public?' I say honestly, without skipping a beat, 'Ross.' The public was Ross. The rest of the people just come to the work."
--from his wikipedia page
from my class notes:
Felix believed that e go through life in couples--one individual life is fragmented. Untitled (Orpheus Twice) is two mirrors side by side--if you stand between them by yourself, you're bisected. Only a couple is complete.
Untitled (Perfect Lovers), 1987-90. Two clocks in perfect sync--but they fall out of sync, they lose time, and one will stop first. His partner, Ross, was dying of AIDS.
Untitled (Ross), 1991. This exhibition is hard candy that's been poured against a corner. He called this a "portrait of Ross": the candy weighed exactly what Ross weighed. You, the viewer, were supposed to take an eat a piece of the candy. Every morning, the museum owner would replenish the candy to the correct weight.
For the celebration of the "Day Without Art", to look at the impact AIDS had on the art world, galleries were supposed to put black veils over all their paintings. Felix rented billboards and showed this photo of an empty, unmade bed. No text, no context, was given.
Untitled (Blood), 1992. Made of hand-strung red and white glass beads: turns people into ghostly figures on the other side, represents a liminal space between life and death, sickness and health, separated by the composition of blood. Felix strung the beads for this curtain, along with Untitled (Chemo) of 1991 and Untitled (Golden) of 1994, while sitting at the hospital with Ross.
Felix died January 9, 1996, of AIDS.